Podcast Interview: Some more Indie Game Developers from SF GDC...

Some more indie game developers + a student game developer (developer of Mayhem Intergalactic) talk about developing games for the Internet among other things...

You can download the podcast here...
http://www.indiegamepod.com/podcasts/mayhem-intergalactic-podcast.mp3

or listen to it here...


Show Notes:
INDIEGAME DEVELOPMENT POD CAST SHOW
You are listening to Indie game pod cast show sponsored by curio soft kid’s game and the letter e visit the ww.indigamepod.com. Thanks again for listening to the show .this interview is inspired by quick meet up at the game developer’s conference.

HOST:
I m here at GDC and with me are two Indie game developers. How about you introduce you’re self?

(INDIE GAME DEVELOPER):
Hi I am . I am a free lance game developer and next to me is Chris pelling also an Indie game developer.

HOST:
What types of Indie games do you guys develop?

(INDIE GAME DEVELOPER):
I have in the past three years developed retail tittles with a teem of three or four its me together with the sitting up long and we take roughly 8-9 months for a game with three or four people and yes we have been doing that for the last 4 or 5 years or something and we really like it.

HOST:
Are you thinking of staying in retail I mean this is whole trance suppose to be a digital distribution. Is this something that you guys consider?

(INDIE GAME DEVELOPER):
Yes it is very lankly that the games that we are selling at this GDC is going to be our last retail title or at least last title last title that we make that is predominantly retail even the title we are doing right now is also available as a downloadable and as again the play station the web browser so we are definitely also feeling that! OH my God we are not going to make retail games anymore. Just hanging around this conference lately.

HOST:
Sure are you guys sticking up other things that actually laborites to internet as a platform? Since not just about single player. It’s not about single player games on the internet but its about I am not all sir. Are you guys looking for that kind of stuff?

(INDIE GAME DEVELOPER):
The online games can mean so much of like it could be a downloadable that you play against other people through other peoples it mean like a flash game. We are looking at most of that where like I guess everybody is looking at stuff like rune escape and plug cluppingwin and looking at OH my God looks at all the people playing those games. We got to do something like this well. So naturally we are I mean so us including we are looking at that but also at science like shockwave.com and congregate and just in browser games are also market that we are really interested in.

HOST:
Let me tell you about in browser games are you talking about stuff down in flash or THP stuff.

(INDIE GAME DEVELOPER):
We actually develop a lot of stuff for the shockwave player. So that is mostly 3D action games and 3D adventure games and that’s really allot of other people are making consensive flash which is also great. So but we mostly are 3D games to deal .We mostly talk of the shockwave player.

Host:
A side from 3D the shockwave really offers a lot of benefits over flash it seems like flash is becoming a predominal platform for like Indie games on the web.

(INDIE GAME DEVELOPER):
It is. I mean you really have to pick the technology on what you want to do. I mean you could also do the other way around. Unfortunately I also have to realize that if you do not have to do 3D that is flash is just a better option the shockwave I mean like years ago people say well yes you could do very only shockwave and its faster and action script is slow but flash cut up with all this stuff. It has video it has lightning fast.

HOST:
Freaking introduce 3D player?

(INDIE GAME DEVELOPER):
You know more then I do! I would say that there will be press breakfast with a announce director 11 which is tool that creates shockwave consense. I know there are a lot of people messing around with 3d and flash like the paper fishing guys but which buys the definition is indeed 3D and flash but it is got using action script to do actually the 3D transformations which is horribly slow so they are not yet really using 3D hardware to be able to do this for D. But I would definitely not be surprised if it they will be at 1 point at 3D engine to flash which would really rock my day.

HOST:
Nice! What are you’re favorite Indie games?

(INDIE GAME DEVELOPER):
You know the guys in retail. It’s a really embaracing question actually for me because I hardly play games its whenever we develop games my game designer tells me like yes well I wanted to be a bit more like a Zelda and I would honestly be like could you like show me a trailer of the game like whenever they use the game is an example I certainly done as a. S o I think lion rider is a stroke of genius and then what’s this game recently I am not sure if it got published but its on YouTube like crayon physics or something . I think that is a stroke of genius I owe that guy.

HOST:
That was huge actually.

(INDIE GAME DEVELOPER):
I hope that guy makes a shit lot of money of that guy because its really. NO line rider is also an innovative game but there is also I think its crayon physics. Yes its in IGof this year so check it out.

HOST:
Welcome I am here at GDC. I have another Indie game developer. How about you introduce yourself?

(INDIE GAME DEVELOPER):
Hi I am . My company name is Impansy ginger and I have made mayhem intergalactic which is at the students show case would be independent games this looks yes.

HOST:
Nice what kind of game is it?

(INDIE GAME DEVELOPER):
It’s a turn based strategy game setting space. Its very stream lined. Very simple. There is only 1 type of ship you have looks of planets and all he do really is just produce shifts a planet which happens automatically and then he moves ships from planet to planet to take over the entire map.

HOST:
Could you talk about the glomming process of balsam which you do any product typing or anything different?

(INDIE GAME DEVELOPER):
Interesting sorry about that it was actually product type do not very little known game development system called byond that’s BYOND just to be confusing and so quintal type in this listening and put that on the nap and some people it and they really really like it and a little while after that a sort of I started thinking that I really wanted to start getting in this for money because it’s a portal type its free and so I felt what game can I make what’s the best game the most popular game that I have made and it was this so I believed in that 1 off the web thing . You know tied us about it because I won’t be able to buy the new one and I started to make a new one and I thought OH yes he knows after about the three months the game was done and I mean done in you know quotes and it took about another 18 months after that but actually be word selling and it was about 6 months ago. So you can tell it like 6 months.

HOST:
During that time did he pooped when you initially play the game I mean where they in a community or a form that where you could like found side is a mantasto?

(INDIE GAME DEVELOPER):
The product type was in all community was BYOND.COM. That really help full yes I got some people from their to better test new version downloadable version and it was going to be great task back community since I have been getting into the sort of Indie downloadable games kind of space I have been loosing contact with them and that means you know they are not so much invested in development anymore.

HOST:
Like you have other people or may be your forum that helps you co-develop your game?

(INDIE GAME DEVELOPER):
I don’t really have any forums something I am looking to develop a community around my games. I have contractors you know who do act sort of thing.

HOST:
Sure! You talked about you know it was done cut down in three months but it did not took 18 months actually get it done. Can you talk about why it took that long in some of the years you said that you may be you wish you would have known before it is time.

(INDIE GAME DEVELOPER):
Interesting question! Well the three months done is sort of like very rough I want to fetch it when its actually their. I felt like it was a done playable game but when I took a step back and when I looked to that and I realized there will be a tax in the court its all very nasty there are a lot of things which are not smooth you are going to need to know how to play the game before you are going to play the game and so. The process of over 18 months so just going through step by step fixing each part of the game one by one fixing the bugs was halted from fixing bugs and because I was actually doing this while in the university so I am student of national university and there was huge blocks of time during the terms I had to took class I couldn’t work on games so I say 18 months but really I was not working on that all that time and the three initial months we were just doing a period of Apollo days.

HOST:
Now as it is released. What are your goals and how are you marketing this game?

(INDIE GAME DEVELOPER):
Well I am I have just racing the released on update which is a major milestone for me because I have been painting the game I have not you know released it and then say it okay pronto under it. I am developing it more and more and more as time goes on so major update out recently just before GDC just few days going back so now I am sort of at GDC figuring it out what I am going to do next and I think what I am going to do next is work on the game a little bit more I talk I want to do on and want to put it to mach this kind of thing after that I am going to stop moving on to other games particularly to the flash games because I think there is a long period that I have been working on this game and I have got seriously burned out several times I am burned out right up the moment its been a long argues process and somewhere along the line fun when I have to make in games I use to mess around making games free and that all was really fun that’s why I didn’t expected any profit from it now I am making downloadable game its 19.95$ you got into form and you are into your and you enter your credit card deal a thousand dollar and available to stop you have to deal excepting payments even if you are finding out credit card and stuff with someone else you know there will be bugs in your system you have to fix there will be customer support there will be patches there will be overt kind of stuff and having it downmotible and paid full upfront with the try by model it just add so much stuff I find out that I am not making games anymore I am fixing bugs I am doing customer support that does make any game there is nothing to do with making game I don’t want to be doing that its boring its crap you cant outsource it this is important that is done by the developer so what I am going to do I am going to get in flash games and I am thinking either just screw it make it free and I will get a real job o0r may be looking to add supported.

HOST:
Yes the add support model what do you think about that is that something that you are really working towards or do you think its going to be the same down notable?

(INDIE GAME DEVELOPER):
Well I use to be really down on it quite recently in fact as looking to my heads I really do I go to extra ordinirary links to blocking out. So it’s sort of like I have done this great big about face like why am I putting ads in games that I make and the reason I s it’s a revenue stream which is so much easier everyone involved. People don’t have to quip out their credit card and into bother ad excepting credit card. I dint keep tracking fools register the games so I can send out the day’s student. I don’t nee d to worry about the rate conversion and piracy and sort of stuff it’s a so much simpler. People got to the page. The advertiser page using money and the play doesn’t have to think about the money they can book the ads as they want you know I don’t really care.

HOST:
What are your favorite Indie Games?

(INDIE GAME DEVELOPER):
I am going to put a huge plug here for a cuovierian which I actually just bought. It’s the most beautiful game I have ever seen big crops big blot amazing game acquire good bay now. I am not being payed to plug it its just awesome. Other games I bought in the past includes stars gate, moon pods doing some really good stuff and you know there was another game it was going to be mention but its fallen out of my head.

HOST:
SURE! Do you have any last suggestions for the Indie game developers who are going to make a game? There first game?

(INDIE GAME DEVELOPER):
If they are making their first game. It’s going to take a work one as anything. Its tough, its hard you will get burned up it will suck. You will feel like quitting. Keep at it or if you think you should keep at it then you know may be something else but I don’t want to discourage anyone it gains as what you want to do then do it its not what you want to do? Then why the fuck?

HOST:
Thanks for your time.

(INDIE GAME DEVELOPER):
Thank you.

Take care,
Action

Podcast Interview: Michael from Akith Games

Michael, from Akith Games, talks about the creative process behind his game designs.

You can download the podcast here...
http//www.indiegamepod.com/podcasts/akithgames-podcast.mp3

or listen to it here...




Take care,
Action

Podcast Interview: Andrew from IBeta Quality Assurance talks about QA for Indie Games...

Andrew, from IBeta Quality Assurance, talks about QA for indie games...

You can download the podcast here...
http//www.indiegamepod.com/podcasts/ibeta-podcast.mp3

or listen to it here...


Take care,
Action

Podcast Interview: Ryan talks about student game development...

Ryan, talks about student game development...

You can download the podcast here...
http//www.indiegamepod.com/podcasts/ou2-podcast.mp3

or listen to it here...


Show Notes (thanks to Grace):
Interview with Ryan , on sound effects, gaming, and animation.

Interview was held at the Austin Game Developer’s Conference.

Ryan was part of team of 9 developing a platform, puzzle, interactive environment concept game called “Death by Design”. The team consisted of 3 designers, 2 programmers, 1 sound person, and 2 artists. [yes we’re missing somebody]

The game started as a class project with a deadline of 20 weeks. The team started with a couple of different ideas. One idea was an incredible machine type game, the other was something called “Death Quest” where the idea was to get your avatar killed in the most extreme way.

They did rapid proto typing using paper and a magnet board. They used this method along with design documents and had their idea pretty well done before beginning programming or artwork. Once they had their idea down they then let their imaginations go wild, taking the concept as far as they wanted without limitations of reality (programming concerns for example). If they hadn’t done this then they would have self-sensored and it wouldn’t have been as good. They ended with a fully realized concept.

Most people who create platform games follow a standard formula: Run right, keep the character alive for as long as possible, pick up a few objects, and then move onto the next level. They chose a static world, still picked up a few objects, but then completed some crazy objectives, and then something really silly and stupid would happen to the avatar. It was a lot of fun.

The team would have something called game jams every week at coffee houses. Here they would take 24 hours to work out concepts and levels to the point where they were complete.

Initially they came up with 12 levels but in the end the game was completed with only 2 levels. They were working on it up until 3 hours to deadline. They felt successful that they had actually completed the game. During the whole process there was never a slow period where they felt like they were just finishing up. The whole time they were like “Oh my God! There are problems!! There are problems!!”. Once the game was done though, it was the best feeling.

There were issues. One issue is that everyone wants to be a designer, so if you are on the design team you should roll with it and listen to all suggestions, take it in, because everyone has something to contribute. If these people are working in games, then their gamers, and they know what gamers like. All their input is useful. If you then get a chance to use testers outside of the team, listen to all of their suggestions too.

As part of the design team you need to keep your team moving, but you also don’t want to beat them into the ground.
Top 3 things Ryan learned:
1) No matter what you think it’s going to look like in the beginning, it won’t look like that in the end – and that’s not a bad thing! It probably means you learned something. Also be open to outside input, it’s very valuable.
2) Don’t take ALL the outside input! You can lose the integrity of your personal touch.
3) Working with people is challenging, but rewarding in the end.

Advice to wanna be indy game developers – Come to Austin Game Developer’s Conference!


Take care,
Action

Podcast Interview: Producer of Student Game, Chromatica

Gene, from student-developed game Chromatica, talks about developing an indie student game...

You can download the podcast here...
http//www.indiegamepod.com/podcasts/chromatica-podcast.mp3

or listen to it here...


Show Notes (thanks to Grace):
Interview with Monjoni, gaming student, and part of the production team of Chromatica. http://www.chromaticagame.com/index2.html

Interview was held at the Austin Game Developer’s Conference.

16 students in Ohio University’s brand new game development program, were asked by their professor, John Bowditch, to come up with a game during their first week of class. They all sat in a room and thought about what they were good at, and what they were capable of, and came up with a series of game designs. At the end of the week they picked one which turned into Chromatica.

Students as a rule are hard to manage. There are personality conflicts, and especially with a team of 16. There were a couple of incidents which Monjoni speaks of. In one, a stressed member of the design team created a big scene when a meeting was scheduled at a time when she couldn’t attend. In another example, a couple of people on the tech team were fighting over who was doing more work. Monjoni says that there were some huge fights which required mediation and a desire on the part of everyone to come together and work harder on the game. Drama won’t get the game done – sitting down and working, will.

Two people who’d never done code before in their lives were put on the tech team. The game was started in Torque game builder. They went through what few tutorials there were. They were overwhelmed! They put their noses to the grindstone and for the first solid month spent all their time learning code, even weekends. The made mistakes, but worked through, figuring out their mistakes and fixing them. After three months an experienced coder came into the project and analyzed their code and helped them with their mistakes. It was a learning experience for everyone. Sometimes that happens, you get thrown into a situation you’re not comfortable with. You’re a student, you’re supposed to make mistakes. What’s important is that you learn from your mistakes and move forward.

Problems for management are more about motivation than size. Every team no matter how big has a naysayer or two who aren’t excited or even interested in the game they are helping create. The hardest thing as a producer is getting these people excited and interested in the game. Some people just aren’t excited by certain genre’s of games. Professionalism is doing the job well even when it’s not exactly, or even close to the kind of game you might have wanted to do. If you feel like “I don’t want to do this – this doesn’t matter” – punch yourself in the face, because you’re wrong!! Everything you do as a student developer, matters. If you forget that, you’re screwing your own future.

The design doc for Chromatica was done during first month of development. Mockup, story, and levels were being developed during the same period. It took them too long to find the fun. Weekly QA tests helped them find the fun. He regrets not doing QA earlier. His advice is to get your prototype out there early and have QA early. Also, if it’s not fun then go back and fix it. The game has to be fun - #1 rule!

They worked on the game up until the last minute before shipping. Only three days before did they feel that the game would be successful. If you’re a student and it’s early in development, don’t be disheartened, it won’t look like a game, or much of anything, for awhile. Once you get other people outside of the team in to play it, then you’ll start to see what you really have.

Top 3 Lessons:
1) Game development is a whole lot of Hell – but once your game gets out there, there’s no better feeling!
2) Players are the most important thing! Get feed back from people outside of the team. They will affirm everything you thought was wrong and right about your game.
3) Student development is a wonderful opportunity. Even if you’re not a student, get out there, get a team, and make a game. It’ll be the best experience of your life!!


Take care,
Action

Podcast Interview: Gene from Maid Marian...

Gene, from Maid Marian, talks about developing an MMO in his basement and reaching over 1.7 million unique visitors each month...

You can download the podcast here...
http//www.indiegamepod.com/podcasts/maidmarian-podcast.mp3

or listen to it here...




Show Notes (Thanks to our new intern, Grace, for the great notes)...
Interview with Gene Endrody of Maid Marion Entertainment

Interview was held at the Austin Game Developer’s Conference. Gene Endrody is the creator of Sherwood Dungeon, a 3D Massive Multiplayer game.
http://www.maidmarian.com/

Sherwood Dungeon started as a beta test of Shockwave when they released 3D.

He was working in the console game industry at Radical Entertainment during the day, when he began creating avatar based chat rooms in the evenings for fun. He put a Google ad at the bottom of the page to create revenue and it grew to the point where he could quit his day job after 2 years.

He developed a loyal community because they were there from the beginning and were allowed to be a part of the evolution.

He wanted to have the browser window scalable from the beginning. This way he was able to have it imbedded in small game sites along with his Google ad.

Last year he released Club Marion on his site. It was inspired by Club Med.

When not working on Sherwood Dungeon he likes to do martial arts and kick box.

His job IS as great as it looks. He always wanted a lifestyle business.

He may need to hire people soon, but is reluctant.

He says that since his game is free the expectations of customer service are very low. Also players help each other a lot.

There may be the ability for players to create their own rooms and islands in the future.

Take care,
Action

Podcast Interview: Norb from Frozen Codebase...

Norb, from Frozen Codebase, talks about being an indie developer for XBox Live Games...

You can download the podcast here...
http//www.indiegamepod.com/podcasts/frozencodebase-podcast.mp3

or listen to it here...


Take care,
Action

Podcast Interview: Faulconer Productions Music...

Lisa, from Faulconer Productions Music, talks about audio for indie games and the benefits specific music can have for a game...

You can download the podcast here...
http//www.indiegamepod.com/podcasts/faulconer-podcast.mp3

or listen to it here...


Take care,
Action

Podcast Interview: Rob from University of Advancing Technology...

Rob, from University of Advancing Technology, talks about game development at UAT

You can download the podcast here...
http//www.indiegamepod.com/podcasts/uat-podcast.mp3

or listen to it here...


Take care,
Action

Podcast Interview: Renee from SMU Game Development Guild Hall...

Renee, from the Guildhall at SMU, talks about game development at SMU

You can download the podcast here...
http//www.indiegamepod.com/podcasts/smuguildhall-podcast.mp3

or listen to it here...


Take care,
Action

Podcast Interview: Elisa from Digipen...

Elisa, from Digipen, talks about the benefits of Digipen

You can download the podcast here...
http//www.indiegamepod.com/podcasts/digipen-podcast.mp3

or listen to it here...


Take care,
Action

Podcast Interview: Developing an MMO via Multiverse...

Allen, from Multiverse, talks about indies developing MMOs (PC, Browser-Based, etc.) really quickly :)

You can download the podcast here...
http//www.indiegamepod.com/podcasts/multiverse-podcast.mp3

or listen to it here...


Take care,
Action

Podcast Interview: Sam from Perforce Software -- Source Control

Sam, from Perforce Software, talks about source control for indie game developers...

You can download the podcast here...
http//www.indiegamepod.com/podcasts/perforce-podcast.mp3

or listen to it here...


Take care,
Action

Podcast Interview: Founder of FMOD...

Brett, founder of Firelight Technologies...makers of FMOD, talks about the benefits of FMOD...

You can download the podcast here...
http//www.indiegamepod.com/podcasts/fmod-podcast.mp3

or listen to it here...


Take care,
Action

Podcast Interview: Deborah...Product Manager from Garage Games

Deborah, from Garage Games, talks about the benefits of the Torque Game Engine for Indie Game Developers...

You can download the podcast here...
http//www.indiegamepod.com/podcasts/garagegames-podcast.mp3

or listen to it here...


Take care,
Action

Podcast Interview: Zach from the UT Video Game Archive

Zach, from the UT Video Game Archive, talks about archiving video game history and how indie game developers can get their games archived...

You can download the podcast here...
http//www.indiegamepod.com/podcasts/gamearchive-podcast.mp3

or listen to it here...


Show Notes:
Interview with Zach, the archivist from the UT video game archive.

Interview was conducted at the Austin Game Developers Conference

Their purpose is to preserve and document game history, through preserving games as well as documents and materials that are produced in the process of game development.

They preserve games themselves as well as design documents, correspondence between different teams working on a game, conceptual art, audio files, and occasionally some actual code.
Since they are trying to build their collection now, it’s a little restrictive when the get stuff. They plan that once their collection gets a little bit more established they will open it entirely to the public. The public will be able to browse through the inventory lists and request items.
There is a website you can visit now to get abreast of what’s going on or to submit things:
http://www.cah.utexas.edu/projects/videogamearchive/

Recently the archive was sent a dvd from tangent games. On it was all the code to one of their games, along with design notes, artwork, different versions of the game, assets, and tools.

The design documents and hand written notes are what Zach considers the most interesting items to look at. The hand written notes let you see how the person thinks. The correspondence between different teams is also very interesting.

Warren Spector from Ion Storm sent a submission. Zach enjoyed looking at the design notes and seeing how much feedback he had gotten and seeing how Warren managed to synthesize it into one working design document.

www.utvideogamearchive.org (both links take you to the same page)

Take care,
Action

Podcast Interview: Ryan talks about Designing Mushroom Men

Ryan, on the team of Mushroom Men, talks about designing for the Wii...

You can download the podcast here...
http//www.indiegamepod.com/podcasts/mushroommen-podcast.mp3

or listen to it here...


Show Notes:
You are listening to the Indie Game development Podcast show, visit www.indiegamepod.com for more podcasts. This interview is inspired by a quake meet up between the Austin Game Developers conference.

I’m here at Austin GDC, and with me is today’s special guest, how about you introduce yourself?

I’m Ryan Madison, the lead designer on Mushroom Men from Red Fly studio

And, what’s the game about and what platform is it on

Well the game is on Nintendo Wii and Mushroom and the Spore Wars, and its about a young mushroom name Axe who doesn’t really know where he is in the world or who he is or where he came from. He’s sort of exploring his identity and then he finds himself in the middle of the Spore Wars which is a war between edible mushrooms and poisonous mushrooms.

And what inspired the game?

Uh, the game was developed over a course of a couple of years by the founders of Red Fly studio Dan Warthik, Christ Taylor. They were really interested in doing a game that harkins back to the old platformers from the days past of Mario even up to the odd World Series. I’m just doing something that was a little but more quirky, a little bit more weird than usual and trying to create specially these interesting characters in a large human environment

Now, since you’re doing design, umm, I guess, what did you have to keep in mind as you were developing and designing for the Wii

One of the things we were trying to do is kind of hold to the core values we had for the game which was making really really cool environments in a combination of the human world and the mushroom world. And really pushing the players to explore the environment and to umm you know, not only explore the environment but the systems as well… have fun in the combat … and have fun trying to collect things through out the world. So, constantly thinking about those aspects and trying to make sure that the game was always focusing on one of those particular things was definitely something we kept in mind through out the development process.

What were some of the challenges you encountered as you designed levels for the game?

Well one of the biggest things we were trying to do is to diversify the environment a little bit, showing the large human world, the small mushroom environments as well as a combination of the two. Um, so trying to develop the scale at first was really difficult, but once we achieved that it was a matter of implementing the game play inside of that scale. One of the levels that is most fun for me is this large shed that you get to use your sticky hand tool in and that’s a great tool to use especially fun in that particular level is because it allows players to be so creative with what they do throughout the game or throughout the navigation in that particular area. So they get to move around, grapple a tight tool, and they get to move around the way they want to and sort of accomplish the objectives the way they want to. And, I think for me that was actually one of the fun aspects of development where were just constantly seeing the creativity out of the developers that were working in the game in that particular level.

As a designer what are the challenges that you usually encounter as you design levels?

Umm

And whats the best way to overcome them?

There’s a lot of challenges, they differ from project to project. For us it was again harking back into those core values I mentioned earlier. You know really trying to make sure we were constantly achieving the sort of visual style of the game, allowing players to push through in a creative way. You know balancing combat vs puzzle vs navigation (platforming navigation) because something we’re trying to do is create a hybrid action platform of the game, so we’re trying to create a good balance between those aspects.
And ways to solve it, I think one of the best things people can do is to test the game, blind test it to bring people in that haven’t played it before. For them to actually sit down and be able to, sort of tell you whether or not you’re achieving your goals, because we get so wrapped up in the development as it gets close to the game that often we forget, you know, what it is we’re looking at in what particular area. So just having someone say ‘Oh I’ve been doing a lot of combat for the past 5 minutes I really would’ve expected this to be (illegible) some navigation or some platforming in between maybe a puzzle here or something else. Just trying to make sure that we’ve got a really good balance of those things, I think that one of the biggest challenges and the best solution is just getting people to play it.

And so what’s next in store for the game, is it on shelves yet, is it (illegible) released?

Game’s coming out at the end of November there’s a PS version as well which is really exciting. It is going to be released a little bit before the Wii version. They’re completely separate games, from there the sky’s the limit, we’ve got a lot of ideas for ways to push the franchise, it’s a really interesting thing, there’re just a lot of opportunities. So we’re really excited about where we can push it next.

And what would the top three learning experiences or learning lessons which you got from developing this game?

Well, just to kind of outline it at a really high level, I think that the top three would be like I mentioned earlier would be blind testing, its huge, getting people into play your game, and making sure that they sort of get it, is really really big. Another one is, just learning how to work really well with the artists and the programmers, as a designer. And if you’re one of those other disciplines learning how to work well with designers, artists and programmers. And I think the last would be learning the limits of your team and of your platform and seeing how far you can push those.

And is there a website already up, where they can visit?

Yes, go to mushroommen.com for more information

Thank you very much

Thank you

Take care,
Action

Podcast Interview: Lead Programmer of the Wii game, Mushroom Men

Kain, Lead Programmer of the game...Mushroom Men, talks about programming a game for the Wii...

You can download the podcast here...
http//www.indiegamepod.com/podcasts/mushroommendesigner-podcast.mp3

or listen to it here...


Show Notes:
You are listening to the Indie Game Development Podcast Show, visit www.indiegamepod.com for more podcasts. This interview is inspired by a quake meet up at the Austin Game Developers conference.

I’m here at the Austin GDC and with me is a special guest, how about you introduce yourself?

Hello, my name is Kayne Shin, I’m the lead programmer for Mushroom Men on the Nintendo Wii

And what inspired you to develop something for the DS Wii?

Um, honestly we saw a huge gaping void in the market on the Wii in terms of platformers that actually combine combat like a true combat platformer hybrid, so we wanted to see if we could set out to do something interesting and make use of the really talented artists at Red Fly Art. Red Fly is an art dominant studio, it was started by two very established artists and they wanted to kind of use that strength to develop on the Wii and kinda make use of that so Mushroom Men at its very heart and soul is a game about enjoying the art um, but nothing else to the back seat like there was design involved and a lot of the coding practices too but most people don’t see that they see the art. The first thing that they’ll see about the game is you know screen shots and stuff and I think we’ve done a decent job with that. We also put a lot of work in to the design of the game and the various aspects.

And, um, were there any different challenges for developing for the Wii compared to another platform?

Yes, um, the controller on the Wii is very unique. It has less buttons than the X Box 360 or the Play Station 3 and it has a whole gesture system. Originally the design for the combat system in Mushroom Men involved doing one to one accurate gestures so if you did an overhead smash or a character would over head smash if you did a thrust, a character would thrust or sideway smash, a character would do that. It didn’t quite work out the way that we wanted it to because of technological limitations in how sensitive Wiimote can sense the like the, uh forces of acceleration in the x y z direction of the Wiimote. So, because of that we ended up having to simplify the control scheme and we still have the concept of overhead sideways and thrust but we kind of moved that out into the choice of weapon that you select so there’s still some sort of, some sense of agency in how you attack but its preselected by the weapon that you choose to attack with as opposed to how you attack with your arm.

Now, was there ever a consideration for developing for the PC or the web instead of the Wii or was console definitely what you guys were going to do?

I would say that we were pretty set on doing the console, the design of Mushroom Men had the motion controller in mind from the very start and the way that we’ve implemented a lot of the features and a lot of the things that a player does in the game can only be done with the Wii and its unique type of controller. You know if something else came up with a similar controller I’m sure that would map too but dual analog stick or mouse and keyboard would not quite accomplish the same sort of feel that you would get with the Wii controller.

And, what were the top three design challenges that you faced as you were designing this game um, some of the other game play mechanics issues that you ran into or something else.

Um, I would say that the number one design challenge for me personally was making combat interesting. Ah the problem with a lot of platform combat is, its kind of anemic in nature you just walk through the characters that you’re trying to hit and you do your thing until that character dies over and over and over again and that gets kind of boring, so for us the number one challenge is combat and we try to make it really spread out in terms of the kinds of things that you do. The motions involved in combat include swinging your Wiimote, which is the standard thing but also pointing, but also pointing and dragging and picking something up and then throwing it so you’re looking at the environment, you’re constantly on the watch for things that you can use to make fights go faster. If you don’t use any of those features then you’ll probably die a lot and combat would last a long time so you’re encouraged to use those features. Um, so that was one thing, I guess the other challenge was just basically getting the player direction together in time to get everything working. And clear direction was, it’s a big part of the game, and a lot of the levels tend to have so much complexity involved in how you move and what you can do to them and how you’re supposed to move forward and how to do things. So that was really hard, it required a lot of stepping back and going ‘Okay, what would I do if I had never seen this before’ and so clear direction was definitely a strong component of our design. And I guess the third thing was the Boss fights. Surprisingly enough the Boss fights were different from the rest. We didn’t just want the boss to be a regular guy with ten times more hit points we wanted them to feel special and unique without taking you too far out of the game so they had to compliment their combat abilities that you already had and that you learned and kind of use them in new unique ways that you don’t get to use in the rest of the game. So, like each boss is different and coming up with a way to fight each boss with the way that the camera supported the fight and all of that was um, it was a pretty tough challenge for us. But I think we pulled it off.

And, what would you say the top three challenges in designing for the Wii itself?

Understand the hardware, the controller might not be what you think it is and even if it is what you think it is, human beings are inaccurate creatures by nature so you kind of have to support that. They’re not perfect at aiming, they’re not perfect at doing the same hand gesture every single time, so design it around the human interface with the hardware. I guess the other challenge with the Wii is, if you’re used to the technology limits that are set by the 360 or Play Station 3, you’re going to be in for a disappointment. The Wii doesn’t have shadow programming so you have to do water differently, you don’t have pixel over text shaders, you have a fixed function pipeline. So that’s something that, you know you basically fallback to is, you fall back to X Box 1 style or Play Station 2 style of development where it was made during the fixed function pipeline days. So things like bloom and stuff you can get on the Wii but you have to do them very differently and its very special how that’s done.

Is there any motivation to develop for the Wii compared to say PS 3 or X Box 360?

Um, yeah the Wii, definitely has the type of controller upon which you can make games that are unique to the Wii and if you do it right, then you’ll definitely fill in a void that needs to be filled on the Wii I think. Um, also it has, I don’t know how to say this, but there’s a lot of room for improvement on the Wii. I’ll just say that flat out, there’s a lot of room for improvement on the games that are out on the Wii, a niche to be carved, and I think that there’s a lot of folks that are trying to move in on that and carve that niche within the space of the Wii. As far as developing goes, its cheaper, that’s one thing and that’s the reason a lot of people go into it unfortunately they go into that with getting your moneys worth from that cost which is too bad.

And in terms of development process, did you do anything different when you had to develop for the Wii, or did you just follow the traditional, the model of first prototyping and then iterating or was there anything different that you had to do?

There was a lot of iteration involved, we pro typing iteration especially with the control scheme. It was um, really really important that the controls felt right. There’s not any established standard on the Wii just yet with the way that you move around in 3 D platformers and especially with the camera control in a 3 D world with the Wiimote having as few buttons as it does. You kind of have to work some things out like for example, we initially experimented with not having a whack old combat interface and just having a button combat interface but then you couldn’t do other things because that button was taking up space and so we decided to you know, allow you to like block and roll on separate buttons instead of the same button and that way we would do the waggle and most people don’t mind the waggle, well because it’s a very strategic style play, its not like mash until they die kind of game play.

So, when you do your next game for the Wii what are the three things you’re going to change to make the process go smoother, or better or differently?

Well, everyone always says communication as clique as it is, that is one thing I would say that that is definitely one thing that we can improve on, we can always improve on. Its never going to be good enough, its always going to be a work in progress, communicating between the artists, the programmers, the designers, getting them all in on the same page and getting them to buy in to the same vision, that’s really important. And, I guess other things that we would do differently is a lot more iteration. We were sort of short staffed on the development of Mushroom Men and so we didn’t really have time to take a look back and focus on what we had because we were constantly implementing features and stuff and if we could do it again, we would probably have more of the ‘step back, take a look, evaluate’ and just stronger iteration cycles than we had before. We were doing iteration but I think we could do more of that.

And where can people find this if they want to play it?

In your house, no, um, this is going to be on store shelves in November of this year hopefully so you’ll be able to find it at your local store.

And was that just getting it into retail shops, was that just a whole project in it by itself or was it, is it easy still to do that?

Um, it was intended for the retail shops from the start so before the project started that was the goal so early in development I believed that our publisher and the studio CEO kind of took care of that for us so we didn’t have to worry about it, we just knew that it was gonna happen, that it was gonna end up on retail shops.

And, is there a website people can visit to check it out?

Mushroommen.com, there’s also redflystudio.com if you want to check out the studio.

Thank you very much

Thank you

Take care,
Action

Podcast Interview: Bill from Pixel Mine Games...

Bill, from Pixel Mine Games, talks about developing FireTeam Reloaded...

You can download the podcast here...
http//www.indiegamepod.com/podcasts/pixelmine-podcast.mp3

or listen to it here...


Take care,
Action

Podcast Interview: Producer of Toybox Heroes...

Ryan, producer of Toybox Heroes, talks about developing their student game project that was in the Austin IGF showcase...

You can download the podcast here...
http://www.indiegamepod.com/podcasts/toyboxheroes-podcast.mp3

or listen to it here...


Btw, there are a lot of podcasts from Austin GDC...to get them out quickly, they are getting released without show notes...it would be great if someone could make show notes for the podcast as you listen to it. Add it to the comments and a link to your site ... and we will post the notes with a credit to your site.

Take care,
Action

Podcast Interview: Senior Editor of RPG Land...

Michael, senior editor of RPG Land, talks about getting media exposure for your indie rpg game...

You can download the podcast here...
http://www.indiegamepod.com/podcasts/rpgland-podcast.mp3

or listen to it here...


Btw, there are a lot of podcasts from Austin GDC...to get them out quickly, they are getting released without show notes...it would be great if someone could make show notes for the podcast as you listen to it. Add it to the comments and a link to your site ... and we will post the notes with a credit to your site.

Take care,
Action

Podcast Interview: Co-Founder of Mockingbird Games

Troy, co-founder of Mockingbird Games, talks about creating the "YouTube for Games"...

You can download the podcast here...
http://www.indiegamepod.com/podcasts/mockingbirdgames-podcast.mp3

or listen to it here...


Show Notes:
Indi Game Pod Cast Show
You are listening to Indi Game development Podcast show. Visit www.IndiGamepod.com for more podcasts. This Interview is inspired by a quick meet up at the Austin game developers conference.

Host:
I am here at Austin game developers conference and with me is a special guest. How about you introduce yourself.

Troy:
My name is story Gilbert and I am a co founder of mocking bird names.

HOST:
Ok and what is mocking games about?

Troy:
Well we make a product called mocking bird the name making game which is a kind of a web 2.0 platform for casual players to build there own casual games.

Host:
Awesome and what inspired that?

Troy:

Um! Couples of year’s back we were looking at things like you two then flicker and we were wondering why there was equivalence for games and make sure there websites like congregate or tools like game maker but they really target a more devoted user hobbyist or amateur or independent we wanted something that only take something about five minutes and didn’t require any more skills that it takes to play a game virtual.

Host:
Ok what was the platform you developed this on since you wanted to be very casual? You just developed it in flash or in the web.

Troy:
Yes it’s built on top of a flash and its all custom stuff on top of flash. The games are flash and don’t require any kind of custom plug-ins or anything like that. You can play YouTube videos you can use our tools and play our games.

Host:
Ok and so you had this idea and how did you go about developing and what was the process? Because you said the challenge was to make as simple as possible.

Troy:
Right and so kind of our Montero was how we can make making a game is much like playing a game. So the first thing we did was here eliminating anything that resembles programming. So there’s not even no flow chart or logic or anything like that its all like legers where you plug box together. The next thing we did was we tried to eliminate all unnecessary numbers and choices that users have to make. So you know you drag a flighter ranges from more to less or lots to a little and things like that and in the middle is the default and so its very intruder for the user . The final thing which is a real big thing is that while you are editing the game you are playing the game so there is no kind of two steps process where you go use a level at try to build a game and then you click play and try it out and jump back. That process is a very fun and so basically you play the game and if you want to make a change you click on something in the game and move it or change it or making go faster or slower just like that.

Host:
Ok so when you are developing there something got your product type out. Did you tested as you are developing or did you wait until the entering?


Troy:
Yes so we developed a ! Basically three or four major proto types that we released not to the public but to a group of a hundred or two hundred that we knew and we got a lot of feed back over the last year it was a lot of a feed back was great about you know we wanted to be able to do this or that this seems like extra stuff but we don’t understand how to do this. We wanted to eliminate basically all instructions or all our need for instructions for my application. We finally got to something that we really liked in April of this year and since then we have actually revised it twice two major revisions to the application including introducing a whole new version of the application that makes a kind of a wizard gear in interface instead of an application like interface.

HOST:
And umm!! What were some of that what were the top three I guess challenges that you encounter while you were developing this game.

Troy:
Well the biggest challenge was figuring out how we could have people create kind of game play that felt like it was something they made up without having a program. So the problem was how do you decompose like classic arcade game play into the pieces you could blew together in whatever order in whatever combination and no t be able to make something that break serves seems to not work that’s not fun. We didn’t wanted to be a problem solving exercise for the user at least not anymore so then a puzzle game is. Another big challenge was basically building a user interface that did look just like an application we wanted to be fun looking we wanted it to be a colorful to have a lot of animation but not have alot of traditional looking you eye widgets. So there was a lot of trying to figure out how we can represent a certain control without filling like a user work processor and I guess the third challenge was really the game engine itself is how do we make a kind of a general purpose game engine that’s intruder for the user and really similar to products like little big planet on the play station three we found that having generic physics engine underneath the hood is really intruder for the users because I understand if I run into something it bounces off and things like that and so there’s a generic physics engine under the hood that drives all the behavior.

HOST:
So you mentioned game play um! Did you have to go with the specific game play or do people have different choices of arcade, classic game plays?
Troy:
They have different choices in which they actually break down into building block so I mean you could build an asteroids game or Mario plat former or kind of a top down Zelda adventure game. All are using I think we have about a dozen different actions for the players that you can mix and match or whatever combination you want then we have a kind of twenty additional you know secondary behaviors making an object disappear and reappear randomly and you can combine them with whatever combinations you want and we have accentually tested it so that all the combinations do something sensible and we eliminated all the option where two combinations cancel each other out or no work for break and so that was a huge part of the process is creating those thirty building blocks that can actually make a verity of game play. Right now we have got twelve hundred games on our website that are users have built up through last couple of months and you know I would say I have seen at least a dozen different kind of joiners and game on there right now.

HOST:
So you mentioned twelve hundred games. How do you built that community? And how is building that community going In infact in terms of challenges while you were developing were there any people issues or you know In terms of getting this thing out because took a while to get it out. So?

Troy:
So what are the big things that we decided from the start is that a real easy road for us would have been try to tackle the traditional game making crowd hobbyist and independence. People who use game maker or tools like that but we didn’t want that crowd that crowd is already well served by a lot of other options and we felt we would go off on the wrong path trying to serve features they wanted and So as far as community goes we focused on a kind of building on a static to the website and to the art work we used and everything that was very inclusive that’s why kind of the art work we provide instead of being kind of classic aliens and fantasy characters and kind of sie phi themes or military themes it’s a tall much more like a Looney tones character you know you can almost think of it like the act me factor is delivering all the bits of pieces for your game and we findded that’s much more kind of inclusive way to built it at the same time we have not yet have started any kind of a marketing first so the idea is a kind of our first public appearance we haven’t done any marketing at all and we have really just done one other interview with the press at this point. So this is we are considering it as the beginning of our marketing question in October we will have a kind of a major advertising campaign for movie that would be using our platform allowing users to built a movie inspired game as a promotional item.

HOST:
And how do you? You know you are going to talk about marketing I mean the success of you flicker was actually the games themselves or the videos and the pictures doing the marketing for the site. So how is that working and are there any challenges?


Troy:
Definitely some challenges so um! You know I wanted that things that were facing right now and a lot of this is its just besides the audience we have right now is that. We have a lot of people who are playing with it and they enjoy the process of making their games but their games are necessarily interesting then other people. Our primary goal was people to enjoy the making process and for that reason we eliminated a lot of tools from the application that weren’t fun to use you know there are no spreadsheets you know tile editors or anything like that because they can be very predictive tools they are the test use they are not fun part of making a game. So that in some way is limits that kind of games can be made because we wanted the process to be fun first and playing is to fun secondarily . AS a result we have not had any big kind of viral hits we have had a few games on our home page that have got a quite a bit of play and we actually made one game with our tool kit that we put on addicting game that got millions of plays on addicting game so a big aspect of it is where the games are played so we think as kind of our marketing campaign kind of picks up people start taking games in it better get them on the web site so the games are just like you tube videos you can imbed them on the website you can submit on the dig and things like that so easily and we just have it yet hit by critical massive users for one of those games kind of pop up and get real popular and get a spike like it.

HOST:
So Flicker and you two upload the pictures and videos relevant to you. Can you talk about the challenge of creating a viral game? Do you allow people to upload their own picture and or idoms into the games so that it’s a kind of a personal joke or a personal game for the person that interferes?

Troy:
Yes! Absolutely one of the things we introduced about a month ago is what we call our game kids which essentially all of the games play are a kind of pretty fad an so really all you doing is you are doing level editing and you are doing the skinning of the art work in the sounds. A big part one of our most popular kids what we call is the worst person in the world kid which you know where you go and pick tour bosses picture if you want to in the game or whatever your favorite or most unfavorite politician or something like that and build the game around that concept and another element we did to really kind of make it a personal experience besides just uploading pictures is putting a strong focus on encouraging the user to give the game a title ad a story ad that makes it similar to the description of youtube video or more closely to like a blog post we wanted it to be like you jump on there and you spend five or ten minutes you know making the game that is much relevant to what happen to you today and that’s what we have really focused on is emulating something more like blogger as suppose to something like pork something like that.

HOST:
And how is that going because that is an interesting way to look at gaming as a way for expression?

Troy:
Yes right impersonal expression is exactly what we wanted we want people to make relevant games relevant to them selves or other peoples that are our formal personal expression. Its going well we have some people really get it and we have users to make tons and tons of games and they make it really fast I mean go and sit down like first time they use it they will make ten or fifteen games just because they can do it so quickly and then can play with it and you know and about other people it’s a different enough concept that its not quite clicking what the possibility is and a lot of that Is we still trying to figure it out how to get that massage across the people as quickly as possibly a lot of people are finding our website through some of the games we built so they come here kind of looking for a games portal and they find a bunch of games that are sure simple and they don’t quite understand whats going on and so we are hoping that as we do like independent game festival for the things like that people will come visit the site with some idea of what they are heading for and so don’t have to write context getting into it but we are working on building their eye contact into the site itself.

HOST:
And what are the top three surprises you have seen from your users in terms of either their behavior or how they are using the maker or what?


Troy:
Well one of the biggest surprises is the games that people make so we have had several games that I don’t think we would have ever seen from people who had used traditional game kits I mean we have had like one of the games we had in the first look after this was a game about illegal immigrants crossing the border I have never seen a casual web game about that anywhere we have also have some very simple kind of political games people have made we have a mom who made a game about changing the TV channel to kind of change between political ads and its like using a remote control I mean its kind of a weird kind of combination a game play bit it works in it apparently you know is born out of her frustration of amount of local ads on TV or something like that so what has been really interesting is people who would have never made games before exactly like what blogging did for people who would never have a website before now they are able to share ideas and we really thinks that’s critical thing that’s missing in the game industry right now as there is no way for an un initiated audience member to really participate the process ad we a re really kind of break that glass ceiling so it sneaks with that.

HOST:
There are other competitors out there so how do you! You can do. You consider them competitors I mean you are going out of it from different way yours is more in gaps?


Troy:
Yes well interestingly we have been working on this idea for about a year and a half almost two years now and last summer when we had our kind of a early offer version we went out and talk to a lot of people in the game community and outside the game community about it and we got alot of responses of the people They really want to make games of there own you know this is something people really want to do and we were really convinced that it was but we had a lot of trouble trying to convince other people of that. When we were released in April with in thirty days of us releasing there were three other products with almost the identical concept released including electronic arts Sims carnival.

HOST:
Oh! Yes.

Troy:
Which almost have exact same breakdown of process that we have a website called firebug and several others well we think we really distinguish ourselves from those games or of those website is on how users are able to actually build there game for example in Sims carnival if you want to write your own rules you senctually have to do programming I mean its like a flowchart but I mean its just a programming with pictures instead of you know with words its still difficult for the un initiated users for ours it actually write the rules its literally you choose two or three pictures and there’s no order of pictures or flow of logic or anything like that its more like tagging as oppose to a higher key and so we find its. We think that we have a better work flow for the non advance user accurse it limits which the advance users can do but we think In the same way that you tube limits it ten minute video clip it’s a necessary limitation in order to kind of you know meet the unmet mean of the larger audience we are aiming for kind of a eighty percent that can make game up to Twenty percent better but if you better they can do it.

HOST:
Now games are usually made clevertivly so is that you are going to do something in the future? Where you actually have ace intern ace type of development?

Troy:
Right now! What we offer is the ability for users to change any other users game so you can do a nit of the Collabra process that way and a very kind of anonymous collaborate process where you play any game on the website that you like but you say Well I want a bit more of this game or make a bit easier or no time limit you can go in there you can make those changes you can swaft the art work out. So you can kind of build on what other people have done as we go down the road we definitely want to have more collaborative features and so a lot of kind of the . The kind of community infrastructure aspects of the project where we are learning the whole lot from the world of blogging software and blogging platforms so we will definitely seek kind of collaborative you know multiple offers on a single platform and options like that and infact later this week or next week we will be rolling out a kind of a new version of the website that provides more flexibility for the users as far as editing games and working collabory.

HOST:
And yes! How is the editing going? The fact that you could edit other people’s works is that happenal orders that still not used as much?

Troy:
It doses happen quite a bit the changes are usually fairly shallow where they just changing the art work and they are just kind of experimenting with it. We do have some people that go in and kind of change the levels now we knew edit someone else’s game you basically make a copy of it so it’s a kind of multi play its more evolutionary as a post or collaborative thing where he builds version one and I go and head it towards version two they are both still on the website but you know they are related we do not have this feature on the website yet but one of the things in our list is to let people navigate the game based on kind of what they are based on so you can start with one game and say O! well this game is actually derived from this other game or these twelve games were based on this one and you can kind of explore games that way and so since all of the games are built inside of our tool set we have a really rich set of matrix about the game the kind of game they have the art work they have the goals of the game if so we can build some really interesting recommendation like things for the games that’s simply are possible with the website like miny clip where the games are all independent flash games and they have to rely on there users to tag the games or you know we don’t have to rely on that because we know how the games are actually constructed.

HOST:
And what’s next then or what’s in store for this project?

Troy:
Well what we are doing right now is kind of focusing on kind of our primary business model which is licensing the platform to other IP holders and brands to use for marketing purposes or to built kind of a categorated into there own communities as just kind of another activity there users can do so for example in October we are working with a movie studio to create a campaign where users will be able to create based on the movie they are releasing and so instead of them paying a hundred grant to a small flash studio to built one game you know they will pay half of that to us to built a tool set where there users can built the thousand games based on there property and instead of one game since our one website they got a thousands of games that can scattered all across the web so its huge promotional opportunity just as currently exist right now.

HOST:
In terms of business models have you thought of putting mockiaz on top of every ones game and how would that work?

Troy:
Its actually something that we are looking at in the really long term so if we start to see from a matrix prospective that are games are being distributed wide enough that we really had a worth wile advertising network its certainly something we will look into but right now the website itself and other games theres no advertising anywhere and we consciously made that decision to keep the experience is kind of uncluttered and clean and is focused as possible and not have advertising so for example nowthe whole page has no advertising you can jump in you can use all of it without even signing in you can use all of it and so if you want to save your game you have to sign in and nearly you have to buy the one you are membership which is 9$95cents If you want to write your own rules if you want to build the games from scratch.

HOST:
One of the other interesting things you mention is that people would have descriptions and titles for the games are you going to allow people the box art for the game s I mean make them feel like a game studio or how far would that customization goes that seems to work early while with the casual audience?

Troy:
Yes its on long laundry list divide is that we have tossed around is if we situate this point we are awake for the demand from our audience the idea that if someone wanted to choose a screen shot from the screen and I mean we can burn it to a disc as a standalone executable or you know something like that drop it to the DVD case so you know you imagine a twelve years old kid goes on there makes there own game and a week later they have like our actual game they think it pop it to there computer at home I mean even though they can do it on the website you know a piece of casual media seems cooler you know for certain people but yes we are definitely looking at that kind of customization aspect one of the things we really want to do is we call groups or game teams where essentially you know any combination people can get together and create a group and they essentially can kind of work collaboratively on games and make it have kind of there own game page that features there games on the website as you know if our audience starts demanding those kind of things that’s where we are going to shift our intension right now our intension on kind of business model side of which is licensing the technology.

HOST:
And what are the top three suggestions you have for the other Indi Game developers?

Troy:
My biggest suggestion would be to not focus on technology I mean before I started this project I spent six years working for company like electronics arts helping them plan technology decisions and so my entire life was about game technology and I got to say way to many resources are wasted on trying to build a better will when you got ugly looking car just put it top on the top of it you know I mean if you got to focus on the game for and that reason I would recommend that people really look at flash as a platform because it decides a lot of it the benefits as far as distribution and things like that the constrains that it places on the user and the kind of platform the features that platform provides is a perfect middle ground for building games without having to worry about you know pushing polygons or anything like that it really focuses the user another thing I would suggest in these is as quickly as you can to the kind of ditch the ancs tour triple a developer the triple a developers are what make the Indi development possible we have Indi developers have an audience because triple a developers are a kind of burning the path into peoples homes and so sure the games sell out or whatever but people just like there selves our working on them and love them as much as you love your game and so there’s no reason to fight its just you know two different business models and you know there’s no reason to kind of F the publishers and things like that you know it’s the wrong attitude and it aims up in the end just looking very amateur tom outsiders and if it’s a huge turn off to the potential audience for games and last but not least I tell this to people when I talk about Indi game development its about quality not quantity its much better to make five medio for games then never to make that one perfect game even if you not in person of the way there if you focus on the quantity the quality will eventually get there if you focused just on quality you might not ever get to one so it is quantity over quality that’s exactly what we focused on what mocking bird is this kind of taking me to the extreme

Take care,
Action